Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera

iCheat: A Representation for Artistic Control of Indirect Cinematic Lighting

Thanks to an increase in rendering efficiency, indirect illumination has recently begun to be integrated in cinematic lighting design, an application where physical accuracy is less important than careful control of scene appearance. This paper presents a comprehensive, efficient, and intuitive representation for artistic control of indirect illumination. We encode user’s adjustments to indirec...

Artistic Expression as Interpretation

According to R. G. Collingwood in The Principles of Art, art is the expression of emotion--a much-criticized view. I attempt to provide some groundwork for a defensible modern version of such a theory via some novel further criticisms of Collingwood, including the exposure of multiple ambiguities in his main concept of expression of emotion, and a demonstration that, surprisingly enough, his vi...

Artistic Quality in an Opera Company: Toward the Development of a Concept

AGAINST THE BACKGROUND of the debate on quality assurance in nonprofit organizations (Chaffee and Sherr, 1993) and growing economic constraints on nonprofit professional opera companies (Coe, 1994), the issue of measuring artistic performance in opera companies comes to the fore. The management literature has explicitly discussed quality and quality management since the end of the 1980s (Hackma...

The Perception of Artistic Quality in Opera – Results from a Field Study

The authors focus on spectators’ judgements on the performance quality in opera. The results of a field study conducted in Dessau Opera House revealed the single components (e.g. orchestra) and the congruency components (e.g. congruency between the music and the staging dimension) which contribute to operagoers’ overall quality judgements. Spectators’ individual judgements were found to be high...

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